San Sepolcro
By Jorie Graham
In this blue light
I can take you there,
snow having made me
a world of bone
seen through to. This
is my house,
my section of Etruscan
wall, my neighbor's
lemontrees, and, just below
the lower church,
the airplane factory.
A rooster
crows all day from mist
outside the walls.
There's milk on the air,
ice on the oily
lemonskins. How clean
the mind is,
holy grave. It is this girl
by Piero
della Francesca, unbuttoning
her blue dress,
her mantle of weather,
to go into
labor. Come, we can go in.
It is before
the birth of god. No one
has risen yet
to the museums, to the assembly
line--bodies
and wings--to the open air
market. This is
what the living do: go in.
It's a long way.
And the dress keeps opening
from eternity
to privacy, quickening.
Inside, at the heart,
is tragedy, the present moment
forever stillborn,
but going in, each breath
is a button
coming undone, something terribly
nimble-fingered
finding all of the stops.
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Am having very bad day laptop hardware-wise and have a potluck at one of the kids' schools tonight so am out of commission for posting anything entertaining.
I have won from Entertainment Weekly a pass to the DC premiere of Nine Innings From Ground Zero: The 2001 World Series, and I can't go because it's being screened on Wednesday, September 8th, when my kids' back-to-school night is being held. I am very frustrated, as this is the HBO-produced film about baseball after 9/11 that's supposed to be very good. If anyone in the DC area who can get to Mazza Gallerie by 6:30 p.m. on that night wants the pass -- it's for two people -- leave me a message here and e-mail me your mailing address, and it's yours.
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