A Thanksgiving
By Lucy Larcom
For the wealth of pathless forests,
Whereon no axe may fall;
For the winds that haunt the branches;
The young bird's timid call;
For the red leaves dropped like rubies
Upon the dark green sod;
For the waving of the forests,
I thank thee, O my God!
For the sound of waters gushing
In bubbling beads of light;
For the fleets of snow-white lilies
Firm-anchored out of sight;
For the reeds among the eddies;
The crystal on the clod;
For the flowing of the rivers,
I thank Thee, O my God!
For the rosebud's break of beauty
Along the toiler's way;
For the violet's eye that opens
To bless the new-born day;
For the bare twigs that in summer
Bloom like the prophet's rod;
For the blossoming of flowers,
I thank Thee, O my God!
For the lifting up of mountains
In brightness and in dread;
For the peaks where snow and sunshine
Alone have dared to tread;
For the dark of silent gorges,
Whence mighty cedars nod;
For the majesty of mountains,
I thank Thee, O my God!
For the splendor of the sunsets
Vast mirrored on the sea;
For the gold-fringed clouds, that curtain
Heaven's inner mystery;
For the molten bars of twilight,
Where thought leans, glad, yet awed;
For the glory of the sunsets,
I thank thee, O my God!
For the earth, and all its beauty;
The sky, and all its light;
For the dim and soothing shadows
That rest the dazzled sight;
For unfading fields and prairies,
Where sense in vain has trod;
For the world's exhaustless beauty,
I thank Thee, O my God!
For an eye of inward seeing;
A soul to know and love;
For these common aspirations,
That our high heirship prove;
For the hearts that bless each other
Beneath Thy smile, Thy rod;
For the amaranth saved from Eden,
I thank Thee, O my God!
For the hidden scroll, o'erwritten
With one dear Name adored;
For the Heavenly in the human;
The Spirit in the Word;
For the tokens of Thy presence
Within, above, abroad;
For Thine own great gift of Being,
I thank Thee, O my God!
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Another by Larcon, from yesterday's Poet's Choice. I see what Robert Pinsky means when he says that she's nothing like her contemporaries Whitman and Dickinson, unfortunately!
Though we did many things Sunday, including walking through sections of the National Arboretum to see how it looks in late fall and watching Desperate Crossing, the Mayflower colony reenactment on the History Channel, the only one that really mattered to my children is this one:
And here the kids demonstrate the follow-through. The VR stuff is really very cool. The cordless controllers are really awesome -- no more pile of tangled wires on the floor. And the Wii itself is so small, even compared to a GameCube!
Son #1 shows off the number written on his wrist to indicate his number in line at 7:30 a.m. They did this instead of handing out tickets so no one could steal a ticket from anyone else.
So older son got his Wii, went back to his friend's house to play for awhile, then we picked him while retrieving younger son from Hebrew school, fed everyone lunch and went to the arboretum -- first the bonsai exhibit, then the National Capitol Columns, then we drove and parked near the Anacostia overlook and hiked up there. It was gorgeous, overcast and cool, and we were thinking of going from there to Huntley Meadows since we haven't been for ages, but it started to drizzle a bit and boys were itching to get home so younger son could try out the Wii.
We stopped at the mall first, though, so younger son could get the Wii Happy Feet game which Best Buy had not had it in stock yet, and wandered down to the See's Candy kiosk since they were clearly giving out samples (crispy mints mmmmm), and since the kiosk was right in front of Bath & Body Works and I had a Free Item coupon, what could I do but get one of those fabulous-smelling Aspen candles and eggnog Wallflower refills?
As of this afternoon, Yahoo! said that Happy Feet was edging Bond at box office, but they were so close that the adult crowd Sunday night could have put Casino Royale over the top. Meanwhile I know I am supposed to be hysterical about Peter Jackson announcing that he's not directing The Hobbit, but at the risk of infuriating and breaking my last ties with my friends from LOTR fandom, I am far beyond caring.
New Line backed him and gave him the money to film the movies he wanted instead of an abbreviated duology, despite the risk of bankrupting the studio if the films failed, and he made over $200 million from the films, and now he's throwing a tantrum because he thinks the bazillion overmarketed toys and tie-ins that have turned Tolkien from literature to a Trekkie-type industry could have made even more money. (And I still want to hear Howard Shore's score for King Kong.) I don't blame the studio for wanting a different director and I suspect I will bring less baggage to watching The Hobbit by a different director.
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