Friday, December 01, 2017

Poem for Friday and Canal Walk

Exchange
By Jorie Graham

 You. You at the door a crumpled thing when I open
 surprised. Sing, you hiss. Prosecute, sentence, waving your thin not-arms like dollar
 bills, your bewildering moldy skin — one or two of you are you, are you a god now,
 bony, wing-beaten down, smaller than
 ever, not dead as you should be but not
 alive either as you indicate mumbling almost falling in on
 your clawed feet — I still have desire — you float — at my
 small door — me inside — me inside life. Are you newborn now, I
 ask. Are you remnant. Why. Why are there moneylenders
 you say swatting me away when I ask can I help, growing more
 crumbled, but more than just cloth — all feather,
 burlap, beak, fingergrip, all edge and cling. A thing not
 formed or not divided yet. Pre-conception. Just at the threshold. Almost falling in your
 uneven crouching. Your chest a pulsation. A languishment that will not

 die. What is die. Now there is not blood on the earth
 anymore. We disappear. We pixilate. Races or places, is it.
 Which? Remember what it was to carry your load? Your you. That
 weight. Wondrous it was. At intervals light-struck. Silence and then the
 cutting of water, sleeping audible, thrown about by breath, keeping a sharp lookout —
 here’s where free choice vanished, here rights, here the
 real meaning of the word — (you choose) — consequence, capital, commodity, con-
 sumption. Community? Come here says time. Just try to
 find it, the here. Such a good game to keep you
 occupied for now. The rest of the now. It’s going to be a long
 time. Why are you here. What are they lending you.
 How can it be loaned. What is a loan. The changers.
 Who gets to keep it. No one gets to keep it. No one. None of it.
 What is it. The money changers. What can

 you change it into. What else do you
 want the things to become. But it won’t stay still as
 currency either. It will be changed again.
 Shape-shifting and all the other tiny adjustments. Currency
 manipulation — feel it — all those other
 hands on it, each with its own need, having
 held it — grasped, changed, folded, tucked, handed — oh
 look it becomes virtual — the fingerprint is lifted off,
 its little stain — no one’s need is on it any-
 more. It’s clean. It has never been, and never again
 will be, touched. The looping ledger of the fingerprint’s
 wish. I signed my name to this. Did you. In the hush. At the center.
 Among the closed shutters at the height of the day I
 signed. I clenched the pen and then my dream. It flowed. No one is

 ever at home. I don’t know why. Had been told to live by any means
 possible. Did. Beyond, the sea. You could feel this period coming to
 an end. All of it. A bomb went off, legs went off, means went
 off, blew off, like gossamer — nothing stalled — you couldn’t get it to
 stall — seemed painted-on but it was not, was sleeping, reality finally was
 sleeping — so deeply — you couldn’t wake it up again, you couldn’t
 wake yourself again — it rained — time sputtered now and then like a regurgitation
 of space. It’s a jail, light says, but it looks like just being
 lost, full of the things we needed to learn, us ready to step up and offer
 our lungs, intake and out, change me we say. We want to be
 identified, written-in, collected. Worth me up. Give me my true
                                                            value ...
 But still I have to bring this to you in these
 words, cracked glaze all over it, little holes over it, belief drilled through,
 self, that boutique, gone under, such dark windows, history arrested ...

 History arrested. How is that possible. It flowed. It flowed without us, us on it if we
 could catch a ride sometimes. How do you live in this end. I look at you. You have been
 through. Your war is done. I try to squint it in. Do you really want to
 begin again. Is that why you’re here. I feel I could count your
 fingers, each hair left on you, each thread of skin, each crease. Four or five times you
 cast a glance on us. But then it’s done. Your passing by us now a
 buzzing of flies. You stand at the window and the song begins. We don’t know
 what to do with it, the moon, that monster, the fame and the thirst,
 the night out there a shirt rolled up to reveal what dusk had
 hid — a murky heart, a love that would never be replaced.
 But they are still there on the steps — the money changers. The steps
 of evening rise. They want you to exchange. That is the sacrament. Why does he
                                                            keep throwing them out.
 Day after day. Forever. Listen to me, you say, you are going off into
 thought, it is not a real road. Take yourself

 off the road. He is and is not but he is. And
 you are always in the holy place. Because
 just being in it makes it holy. Uphold it. Linger. Be eternal for this
 instant. Lodge in. I cannot say in what. Have spent a lifetime saying in. In flow,
 in promise, rich, in haste experiment crowd season in bias gnawing at
 hope invisible in time standing in it confounded tongue in my mouth about to
 curl up, speak, promise, taste promise, laugh at the ignorance, cherish
 ignorance — don’t leave — this is where I’ve arrived — don’t
 slip away, the reverse of the watching and waiting is finally here, wasn’t mine, wasn’t
 me speaking either. Not anymore. This is that dream. The darling of
 failure. No identification. All impending and then the now strikes. It is
 unbreakable. It is. You must believe me. I want to be here and also there where you
 receive this but I can’t. That’s the whole story. I will never know
 what is there to know. You will not be changed. You must believe.

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My day was too boring to spend time describing, other than a nice late morning -- I had dropped Maddy off at work at the mall and gone inside to exchange something I bought at Sears the day before for a different size when I discovered a raid group forming, and though a glitch in the game prevented us from doing the raid, three of us had lunch in the food court. Afterward I did a bunch of chores.

We watched Washington play Dallas around The Orville (like many episodes, it had flashes of brilliance and some true dorkiness), but the Cowboys were winning so much (DC's disinterest in holding onto the football being a big contributing factor) that we turned it off even before The Daily Show. From the C&O Canal with my family over Thanksgiving week, some fall color:

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